A Filipino Catholic performing self-flagellation lies on the ground with his bloodied back outside a church on Good Friday, defying a government ban on religious gatherings amid rising coronavirus disease (COVID-19) cases, in Manila, Philippines, April 2, 2021. (Photo by Eloisa Lopez/Reuters)

People wade past stranded trucks on a flooded street in Sunamganj on June 21, 2022. Floods are a regular menace to millions of people in low-lying Bangladesh, but experts say climate change is increasing their frequency, ferocity and unpredictability. (Photo by Mamun Hossain/AFP Photo)

A vendor arranges dates on his cart at a market in Rawalpindi on June 1, 2023. (Photo by Farooq Naeem/AFP Photo)

Dancers pose for a photo as they prepare during Festival Cilung or “Love the Environment” Festival, where boats made from recycled materials, mostly plastic bottles, sail on the Ciliwung River, one of the most polluted rivers in the world, to raise public awareness about river pollution, in Jakarta, Indonesia, on September 28, 2025. (Photo by Willy Kurniawan/Reuters)

A Sudanese man walks to a United Nations displacement camp after crossing into Tunisia from Libya on March 06, 2011 in Ras Jdir, Tunisia. As fighting continues in and around the Libyan capital of Tripoli, tens of thousands of guest workers from Egypt, Tunisia, Bangladesh and other countries are fleeing to the border of Tunisia to escape the violence. The situation has turned into a humanitarian emergency as fledgling Tunisia is overwhelmed with the workers. Libyan leader Muammar Gaddafi has vowed to fight to the end. (Photo by Spencer Platt/Getty Images). RAS JDIR, TUNISIA – MARCH 06 2011

This photo take on December 16, 2016 shows macaques monkeys playing on a motorbike in the grounds of a temple in Jaipur in the Indian state of Rajasthan. (Photo by Dominique Faget/AFP Photo)

A Rohingya refugee woman is helped from a boat as she arrives exhausted on the Bangladesh side of the Naf River at Shah Porir Dwip after fleeing her village in Myanmar, on October 1, 2017 in Cox's Bazar, Bangladesh. (Photo by Kevin Frayer/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.