Subway passengers walk past bronze sculptures representing the Soviet people at the Ploshchad Revolyutsii metro station in Moscow, on November 14, 2012. The station was opened in 1938. (Photo by Kirill Kudryavtsev/AFP Photo)

In this January 8, 2015 photo, a monk Kenmyo Muta bows at the condominium construction site and the gate of Sengakuji temple in Tokyo. The “47 ronin” samurai who inspired the long-loved saga of loyalty and honor eulogized in films, books and plays are fighting a new kind of battle in urban Japan. An apartment complex is going up next to the curved tile-roofed Sengakuji temple where the three-century-old graves of the ronin, or masterless samurai, lie. The banner reads: “We only hope to protect landscape of Sengakuji temple”. (Photo by Eugene Hoshiko/AP Photo)

Dinara Safina of Russia hits a backhand in her match against Arantxa Parra Santonja of Spain during the BNP Paribas Open at the Indian Wells Tennis Garden on March 10, 2011 in Indian Wells, California.

Potters colour earthen lamps at a workshop ahead of the Hindu festival of Diwali in Amritsar October 15, 2014. Earthen lamps are sold in large numbers during Diwali, the annual Hindu festival of lights, as people use them to decorate their homes. (Photo by Munish Sharma/Reuters)

A woman and her dogs stop and look at a store mannequin wearing a dog's head mask outside a fashion shop in Nice, France, May 3, 2016. (Photo by Eric Gaillard/Reuters)

21 year-old Chanel Tapper, with the amazing tongue and 35 year-old Aevin Dugas, with the beautiful hair was certified as world record breakers for the world’s longest tongue and the world’s biggest afro in the Guinness Book of World Records. (Photo by Guinness World Records)

A man dressed as one of the Three Kings greets people during the Epiphany parade in Gijon, Spain January 5, 2017. (Photo by Eloy Alonso/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.