Second World War veteran 90 year old William Walker launches the Scottish Poppy Appeal, together with soldiers from the Royal Highland Fusiliers, 2nd Battalion the Royal Regiment of Scotland, on October 27, 2011 in Penicuick, Scotland. Mr Walker, who was wounded while serving in Burma in 1943 with the Royal Scots, helped the soldiers form the shape of ninety to celebrate the 90th anniversary of the annual November campaign. (Photo by Jeff J Mitchell/Getty Images)

People explore the ice covered pier in Port Stanley, Ontario, Canada, on December 27, 2022. The ice formations were created by a large winter storm which hit the region on over the Christmas weekend. Temperatures were expected to moderate across the eastern and midwest US on December 27, after days of freezing weather from "the blizzard of the century" left at least 49 dead and caused Christmas travel chaos. (Photo by Geoff Robins/AFP Photo)

Models showcase Valentine's Day underwear celebrating the results of a recent survey revealing that men find the lingerie, boxer shorts and vests, the biggest turn on ahead of February 14 Valentine celebrations, at Waterloo on February 2, 2006 in London, England. (Photo by Gareth Cattermole/Getty Images)

A spotless GWR (Great Western Railway) locomotive, the “Royal Sovereign” waiting to carry Queen Victoria's coffin. (Photo by Hulton Archive/Getty Images). 28th January 1901

Once upon a time a myth was born that insects, unlike animals, are just a machines that not capable of learning and survive only based on their instincts. That myth has become the widespread opinion. Of course, this opinion is indeed erroneous, like many other widespread opinions. Let us try to find out which part is a myth and which part is true.

Ana Ivanovic of Serbia plays a backhand return to Maria Sharapova of Russia during their women's singles final match at the Brisbane International tennis tournament in Brisbane, January 10, 2015. (Photo by Jason Reed/Reuters)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.