Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

The Tibetan night sky was captured in these beautiful images showing the stunning buildings and statues in the Himalayan mountains. Grey Chow, 33, traveled for two hours to get to the Spiti Valley to capture the starry backdrop along the isolated, deserted roads. The senior project engineer was able to take amazingly clear images thanks to the limited amount of pollution at the 4,500-foot (1371m) altitude. (Photo by Grey Chow/Caters News Agency)

An African immigrant tries to jump a fence into a ferry terminal in the western Greek town of Patras April 28, 2015. Afghan, Iranian and Sudanese immigrants, living precariously in abandoned factories in Patras, southwest Greece, try to stow away on nearby ferries to Italy as they seek a better life in Europe beyond crisis-hit Greece. (Photo by Yannis Behrakis/Reuters)

One hundred artists were given an opportunity to uniquely redesign 100 phone booths in São Paulo. The result is beyond all expectations. One hundred completely useless or just vandalized booths were transformed into incredible works of art.

Work: Live Connected
Artist: Juarez Fagundes
Address: Avenida Paulista, Parque Trianon – opposite the park

Breath at sunset, captures a sea turtle at a dive site called Black Rock. Kāʻanapali, Hawaiʻi, August 2013. (Photo by Christopher Doherty/Smithsonian.com)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

Hungarian model Viktoria Varga stunned in a black dress early January 2024. The social media star visited Dubai on holiday. (Photo by vikyvarga/Instagram)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.