Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

Novice DSLR (Digital single-lens reflex camera), 2nd Place. “Smile of a Friend”, American Crocodile (Crocodylus acutus) in Jucaro, Cuba. (Photo by Antonio Pastrana/The Ocean Art 2018 Underwater Photography Competition)

“The advent of digital cameras and smartphones killed the traditional mall portrait studio, but 3-D printing has sparked a new trend. Overloaded with digital photos, statues may be moving in to fulfill our desire for portraits that stand out”. – Peter Svensson via The Associated Press. (Photo by Julie Jacobson/AP Photo)

Frank Melech is a german artist that works with illustration and digital compositing. What we’re bringing you here today is a slice of such work that we thought, besides remarkably talended, highly creative, because Frank Melech starts with a light bulb, a universal symbol of Idea but also a metaphor for an enclosed but transparent world, and inserts in them precisely other worlds and ideas.

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

Invented in 1920′s this could be world’s first navigation system. No satellites or digital screens were used in the making of this portable navigation system. Called Plus Fours Routefinder, this little invention was designed to be worn on your wrist, and the “maps” were printed on little wooden rollers which you would turn manually as you drove along.