A child coughs as migrants and refugees run away after Macedonian police fired tear gas at hundreds of Iraqi and Syrian migrants who tried to break through the Greek border fence in Idomeni, on February 29, 2016. Greek police said more than 6,000 people were massed at the border, in a buildup triggered by Austria and Balkan states capping the numbers of migrants entering their territory. (Photo by Louisa Gouliamaki/AFP Photo)

A migrant tries to restrain her tent from strong winds in a makeshift camp for refugees and migrants at the Greek-Macedonian border near the village of Idomeni, Greece, March 24, 2016. (Photo by Alexandros Avramidis/Reuters)

People stand by a damaged car at a train station at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, May 10, 2016. (Photo by Marko Djurica/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

Children play at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, March 29, 2016. (Photo by Marko Djurica/Reuters)

Syrian refugees sit behind barbed wire as they wait to cross into Macedonia at the Greek-Macedonian border, near the village of Idomeni, August 21, 2015. (Photo by Yannis Behrakis/Reuters)

A girl sits on railway tracks at a makeshift camp for refugees and migrants at the Greek-Macedonian border near the village of Idomeni, Greece, March 19, 2016. (Photo by Alkis Konstantinidis/Reuters)

Olympe, the latest creation by artist Aspencrow, is unveiled at JD Malat gallery in London, England on March 27, 2019. It is a sculpture of Cara Delevingne based on the Greek mythological monster Medusa. (Photo by Anthony Harvey/Rex Features/Shutterstock)