These Filipino icons of ingenuity were originally re-crafted from abandoned US army jeeps after the second world war, and helped to establish a new system of urban transportation. Jeepneys are being phased to help ease city congestion, but the move will also cause unemployment for experienced drivers – and higher fares for commuters. (Photo by Claudio Sieber/Barcroft Media)

A milk custard bun made to resemble one of the popular Japanese “Kobitos” characters is squeezed during a display for the photographer at Dim Sum Icon restaurant in Hong Kong, China July 25, 2016. A dim sum restaurant in Hong Kong encourages diners to play with their food, and the result will either disgust or delight you. At Dim Sum Icon customers can squeeze a strange creature to poo or vomit on their plate before eating it. Hungry punters poke a hole into the mouth – or the rear – of the dim sum with a chopstick, squeeze it and watch the brown or white cream ooze out. The unique dim sums are made with a face to resemble Japanese Kobitos characters. (Photo by Bobby Yip/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

The Spanish city of Bilbao, known architecturally for its Guggenheim, has a new(ish) architectural icon. Not that it’s replacing Ghery’s work, just another one.

Jirka Väätäinen is a Finnish artist from Melbourne and he recently reimagined some of Disney's most famous princess. He took these iconic characters and made them look like real people.

The Lotus Exhibition Center is an icon for the city of Wujin. Conceived as an addition to an existing underground building with a lake top, the center is a sculptural and ethereal lotus flower displaying the three stages of the lotus bloom life.

Jirka Väätäinen is a Finnish artist from Melbourne and he recently reimagined some of Disney's most famous princes. He took these iconic characters and made them look like real people.