Retired Malam Jabba engineer Akbar Ali skis down the piste at the ski resort in Malam Jabba, Pakistan February 7, 2017. Atop the piste of Malam Jabba in Pakistan's once dangerous Swat Valley skiers schuss downhill, a new Chinese-built chairlift ferries tourists to the peak, and a luxury hotel is under construction to replace one torched by the Taliban. (Photo by Caren Firouz/Reuters)

Workers carry sacks of coffee beans at a warehouse at the Nogales farm in Jinotega, Nicaragua January 7, 2016. Soaring temperatures in Central America due to climate change are forcing farmers to pull up coffee trees and replace them with cocoa, spurring a revival in the cultivation of a crop once so essential to the region's economy. (Photo by Oswaldo Rivas/Reuters)

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Two boys in the Gorbals area of Glasgow, UK on January 31, 1948. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. (Photo by Bert Hardy/Getty Images)

Teenage girls are all steamed up these days about straight hair. The steam iron is replacing the huge rollers on which countless teens slept every night to achieve the height and curls fashionable until. The same girls endure having their hair stretched to absolute straightness on the ironing board, and then ironed to keep it that way. Unlike the roller setting, this takes teamwork. Gay Stilley, 14, goes through an ironing session with a couple of her friends at the Stilley Home in Glen Oaks, Queens, New York City on December 23, 1964. With a wary eye, Gay tries to watch the straightening process as one friend stretches her hair with a comb and another does the ironing, in the Stilley kitchen. (Photo by Marty Zimmerman/AP Photo)

Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

“The Skeleton Krewe was founded in 1999 by Christopher Kirsch. Inspired by the early days of Carnival before tractors and floats replaced walking processions, the Krewe has become one of New Orleans' premier marching clubs. The Krewe began actively marching as a small group of friends, but has grown to 40 active members”. – The Skeleton Krewe. Photo: “The Skeleton Krewe 2013 – Manning”. (Photo by Kevin O'Mara)