A member of a comparsa, a Uruguayan carnival group, dances during the Llamadas parade in Montevideo February 5, 2015. Thousands of people crowd the capital's Barrio Sur as costumed drummers and dancers kick off the street fiesta known as Llamadas which has traditional Afro-Uruguayan roots. The fiesta, also known in Spanish as “The Calls”, started during the colonial period as a slave parade on the city streets. (Photo by Andres Stapff/Reuters)

A Guarani Indian woman jokes with her son in the village of Pyau at Jaragua district, in Sao Paulo April 27, 2015. The National Indian Foundation (FUNAI) has recognised 521 hectares of this area as indigenous territory, making it the smallest indigenous reserve in Brazil. Members of the Guarani community have now established a new village outside the demarcation and are being threatened with an eviction through a court order. (Photo by Nacho Doce/Reuters)

Palestinians watch a man performs acrobatics on the beach of Gaza City, Friday, June 4, 2021. (Photo by Khalil Hamra/AP Photo)

An Afghan woman carries bread on a tray, along a street in Kabul on January 3, 2023. (Photo by Wakil Kohsar/AFP Photo)

Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

A mouse rides on the back of a frog in floodwaters in the northern Indian city Lucknow June 30, 2006. (Photo by Pawan Kumar/Reuters)

A horse grazes on railway tracks near the old train station on the the Northeast railroad (Ferrovia do Nordeste) in the city of Missao Velha, Ceara state, northeastern Brazil, October 25, 2016. (Photo by Ueslei Marcelino/Reuters)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)