Cassie Douthwaite (L) and Stuart Abercrombie from Preston pose for a portrait in Brighton, southern England February 16, 2013. Brighton hosts “The Brighton Tattoo Convention” this weekend, an annual two-day gathering which attracts visitors, performers and tattoo artists from around the world. Photograph taken February 16, 2013. (Photo by Toby Melville/Reuters)
In this photograph taken on January 19, 2012, Indonesian schoolchildren hold on to iron cables as they cross a nearly-collapsed suspension bridge at Sanghiang Tanjung village in Indonesia's Banten province to reach their school. (Photo by Kris Aria/AFP Photo)
Of the epic landscape, the California-based photographer said: “It was an incredible moment and I'm just glad I decided that day to pick up my camera and give it a go because I don't know if I will ever get the chance again”. (Photo by Nolan Nitschke/Caters News)
The dapper beasts are the creation of Barcelona-based artist and photographer Yago Partal, 31, whose work has achieved a cult following online. In his latest project he has merged photographs and illustrations to create a set of quirky animal portraits. Photo: “Hare wearing a v-neck jumper and shirt”. (Photo by Yago Partal/Barcroft Media)
Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.
Adolf Hitler (1889–1945), leader of the National Socialist German Workers' Party (NSDAP), strikes a pose for photographer Heinrich Hoffmann whilst listening to a recording of his own speeches, 1925. After seeing the photographs, Hitler ordered Hoffmann to destroy the negatives, but he disobeyed. (Photo by Heinrich Hoffmann). P.S. All pictures are presented in high resolution.
“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.