A Philippine boy collects used plastic bottles to be sold at a junk shop at Divisoria market in Manila on November 29, 2017. (Photo by Noel Celis/AFP Photo)

Children eat watermelons to meet the “beginning of autumn” at a kindergarten in Handan, China on August 7, 2015. Chinese tradition to eat watermelons or peaches before that day symbolises “biting away summer”. The solar term ‘beginning of autumn’ falls on 8 August this year. (Photo by Xinhua/REX Shutterstock)

A woman walks protecting herself from rain after Hurricane Matthew in Les Anglais, Haiti, October 13, 2016. (Photo by Andres Martinez Casares/Reuters)

Children feeding the birds in this Victorian Christmas greetings card. (Photo by Hulton Archive/Getty Images). Circa 1885

Boys pan for gold on a riverside at Iga Barriere, 25 km (15 miles) from Bunia, in the resource-rich Ituri region of eastern Congo February 16, 2009. Ituri is one of many areas of the country to have experienced bitter ethnic conflict between rival tribes in recent years. Massacres have left tens of thousands dead. It is this fighting that led U.S. authorities to take the unprecedented step of naming Congo in section 1502 of the Dodd-Frank financial regulation act, which says U.S.-listed companies that source gold, tungsten, tantalum and tin from Congo or its neighbours must assure the U.S. stock exchange regulator that their business is not helping fund conflict. (Photo by Finbarr O'Reilly/Reuters)

A young woman employee of North American Aviation Incorporated, working over the landing gear mechanism of a P-51 fighter plane, Inglewood, California, 1942. (Photo by Alfred T. Palmer/Buyenlarge/Getty Images)

(L-R) Singers Kelly Rowland, Beyonce and Michelle Williams perform during the Pepsi Super Bowl XLVII Halftime Show at the Mercedes-Benz Superdome on February 3, 2013 in New Orleans, Louisiana. (Photo by Ezra Shaw/Getty Images)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)