An Egyptian dancer performs the Tanoura outside a coffee shop at al-Muizz street in the old Islamic quarter of Cairo on August 29, 2024. (Photo by Khaled Desouki/AFP Photo)

Mother Nesrin Mehre, mourns near the body of Muhammad Mehre was killed in an Israeli attack on al-Nasr neighborhood in northwestern Gaza, on September 23, 2025. His body was taken from al-Shifa Hospital for burial. (Photo by Khames Alrefi/Anadolu via Getty Images)

Francisco Solano poses for a photo in his bird-feather suit after attending a Mass commemorating the feast day of St. Francis Solano, in Emboscada, Paraguay, Friday, July 24, 2015. Some 500 people attended the festivity – a mix of indigenous and Guarani Indian beliefs. The festival begins with a Mass, continues with a procession of the diminutive wooden statue of St. Francis, and ends with people dancing in suits made with black, white, brown and grey feathers. (Photo by Jorge Saenz/AP Photo)

A woman sticks out her tongue as she shops at the Quinta Crespo street market in downtown Caracas, Venezuela, Saturday, January 26, 2019. The country's political showdown moves to the United Nations Saturday where a Security Council meeting called by the United States will pit backers of President Nicolas Maduro against the Trump administration and supporters of the country's self-declared interim leader Juan Guaido. (Photo by Rodrigo Abd/AP Photo)

A picture taken on August 25, 2021 shows a view of the Aletsch Glacier. After hiking for hours across the mountain and a vast expanse of white, Swiss glaciologist Matthias Huss crouches down near the middle of the massive glacier and checks the measurements. Analysis of the data gathered from Aletsch, the largest glacier in the Alps, paints a dire picture of the toll that climate change is taking on the behemoth. (Photo by Fabrice Coffrini/AFP Photo)

U.S. Air Force pilots with the Thunderbirds perform the calypso pass maneuver in F-16 Fighting Falcon aircraft during a practice session prior to the Gunfighter Skies air show at Mountain Home Air Force Base, Idaho, September 19 and released September 24, 2014. (Photo by Tech. Sgt. Manuel J. Martinez/Reuters/US Air Force)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.