A young oriental small-clawed otter at the zoo in Neumuenster, Germany, March 5, 2014. The six young otters (one male, five female) were born on December 7, 2013. (Photo by Maja Hitij/EPA)

Mud Madness at the annual Jaffa Cakes charity three-mile run at Foymore Lodge near Portadown this afternoon, on April 13, 2014. A total of a thousand competitors and fun-runners took part in the two races held over the mudstrewn endurance course. (Photo by Alan Lewis/Photopress Belfast)

People dressed as zombies take part in a “Zombie Walk” parade in Athens, Greece, February 25, 2017. (Photo by Michalis Karagiannis/Reuters)

Reuters multi-award winning photographers are celebrated here in a three part retrospective on the 30th anniversary of the service's launch. They have captured dramatic images illustrating the human tragedy of natural disaster and war as well as the fallout of economic events across the continents, creating iconic images, recognised around the world. Here: an injured soccer fan is carried to safety by a friend after a wall collapsed during violence between fans before the European Cup final between Juventus and Liverpool at the Heysel stadium in Brussels, May 29, 1985. 39 people died, and a further 600 were injured. (Photo by Nick Didlick/Reuters)

The sea leopard. The Antarctic Peninsula. (Photo by Paul Nicklen)

Relatives of Ukrainian photographer Maksim Levin, killed while covering Russia's attack on Ukraine, react during his funeral in the town of Boiarka, outside of Kyiv, Ukraine on April 4, 2022. (Photo by Valentyn Ogirenko/Reuters)

A reveller takes part in an annual block party known as “Cordao de Prata Preta”, one of the many carnival parties to take place in the neighbourhoods of Rio de Janeiro, February 6, 2016. (Photo by Pilar Olivares/Reuters)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)