A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

This picture taken on May 21, 2016 shows professional wrestlers fighting each other during the Wrestling City Asia organized by Singapore Pro Wrestling at a stadium in Kuala Lumpur. Kenneth Thexeira is a mild-mannered writer for an interior-design magazine by day, but on certain nights his alter ego bursts forth in golden tights and a baby-blue cape: enter “The Eurasian Dragon”. (Photo by Mohd Rasfan/AFP Photo)

A cyclist shops for a gift from a roadside open-air vendor during Valentine's Day celebrations amid the COVID-19 pandemic in Kamwokya, Kampala, Uganda on February 14, 2022. (Photo by Miriam Watsemba/Reuters)

Fans dressed up in costume await the cast members on the red carpet at the world premiere of the film "The Avengers: Endgame" in Los Angeles, California, April 22, 2019. (Photo by Mario Anzuoni/Reuters)

Young demonstrators (many shirtless) shout and cheer as they overturn a truck trailer in the Reflecting Pool on the Mall facing the Washington Monument during the “Honor America Day Smoke-In” thrown by marijuana activists to protest the official “Honor America Day” ceremonies being held at the Lincoln Memorial, Washington, DC, July 4, 1970. (Photo by David Fenton/Getty Images)

A model poses at Checkpoint Charlie, a historic place in the German capital to promote the fashion magazine “Sous” on June 12, 2012. (Photo by Maurizio Gambarini)

“T'antawawas” (children's bread) are displayed in a popular market to commemorate All Saints Day in La Paz, October 30, 2016. (Photo by David Mercado/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)