Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Masked participants stand in St.Mark's Square during the Carnival on February 10, 2007 in Venice, Italy. (Photo by Marco Di Lauro). P.S. All pictures are presented in high resolution.

Studio stack: Rabbit? Acanthocinus aedilis, Cerambycidae, A female Timberman (Timbermam perhaps?). Stacked from 216 exposures in Zerene Stacker (PMAX). (Photo by John Hallmén). P.S. All pictures are presented in high resolution.

Horse racing commentator Joanne Mathews takes a break from the horses and has some fun with a local pig. 22nd March 1956. (Photo by John Pratt/Keystone Features). P.S. All pictures are presented in high resolution.

A soldier of the French Foreign Legion holding his regiment's banner at Bar Hacheim in Libya, circa 1940. (Photo by Three Lions). P.S. All pictures are presented in high resolution.

This undated handout photo received from the Antarctic Ocean Alliance on October 28, 2016 shows a adelie penguin jumping onto the ice in the Ross Sea in Antarctica. The world's largest marine reserve aimed at protecting the pristine wilderness of Antarctica will be created after a “momentous” agreement was finally reached on October 28, 2016 with Russia dropping its long-held opposition. (Photo by John Weller/AFP Photo/Antarctic Ocean Alliance)