Pedestrians use their smartphones to capture the newly illuminated Christmas tree at the Syntagma square in Athens on November 23, 2023. (Photo by Angelos Tzortzinis/AFP Photo)

Plastinated human corpses posed to look like poker players stand on display at the Body Worlds exhibition on April 27, 2011 in Berlin, Germany. The exhibition, which features human and animal corpses plastinated by Gunther von Hagens, focuses on the role of the heart. It will be open to the public at the Postbahnhof from April 27 to August 14. (Photo by Sean Gallup/Getty Images)

“Sometimes i feel like photographers have uncovered a special secret. A crazy, amazing, and beautiful secret. The key to truly living. All i want is to be alive”. – Karrah Kobus

Photo: “All my life i lived in a bubble”. (Photo by Karrah Kobus)

The eighth annual Nipponbashi Street Festa stamped Osaka March 20, 2012 (Nipponbashi is Osaka’s geek district – much like Akihabara is for Tokyo). Cosplayers turned up in colourful outfits, dressing as characters from their favourite manga, anime, and video games. The street was closed to cars, and otaku flooded the streets, snapping pics, cosplaying, and hanging out.

Justin Rowe creates these magical sculptures from hand cut books and found images with the help of just a touch of gum arabic and 24 carat gold or palladium leaf. Some are very much in the realms of fairy stories like the one above, but my favourites are the stories below where Justin’s skill brings the book’s own illustrations to life.

The Russian One is a new commuter tram that looks like something from a Sci-Fi film. The futuristic tram features LED cabin lighting, felt-covered sofas, wooden handrails, and sliding glass doors that operate by touchscreen. Luckily, photographer Ilya Varlamov was able to snap some pictures of the new Russian One prototype, right from the showroom floor.

Luxury buildings are reflected in front of houses at a lake dwelling also known as or palafitte or “Palafito” in Recife, Brazil, March 1, 2016. Zika has spread most rapidly in the urban squalor of Brazil's northeastern coastal cities like Recife. (Photo by Ueslei Marcelino/Reuters)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.