A shopper gets caught in a heavy downpour of rain on Oxford Street, London on June 27, 2020, as sunshine and showers are forecast for much of England and Wales on Saturday, with temperatures expected to hover around 22°C (71.6F). (Photo by Dominic Lipinski/PA Images via Getty Images)

Members of the Moroccan Royal Armed Forces Rescue and Relief Unit take part in a biochemical simulation organized by the US Defense Threat Reduction Agency (DTRA) as part of the “African Lion” military exercise, in the port of Agadir, on June 15, 2021. (Photo by Fadel Senna/AFP Photo)

Palestinians clash with Israeli troops during an Israeli army raid in Jenin in the Israeli-Occupied West Bank on March 7, 2023. (Photo by Raneen Sawafta/Reuters)

The photos were taken at the Piton de la Fournaise volcano on Reunion Island, a French island in the Indian Ocean one of the most active volcanoes in the world. Here: The powerful erupting volcano. (Photo by Luc Perrot/Caters News)

Revellers take part in a zombie parade to celebrate Halloween in Kiev, Ukraine, October 31, 2015. (Photo by Valentyn Ogirenko/Reuters)

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

Sophie and Sarah, old English sheepdogs, watch the sea from their plastic chairs. Amateur photographer Cees Bol, from the Netherlands, documents the lives of his beloved pooches Sophie and Sarah by taking pictures of them every day. (Photo by Cees Bol/Caters News Agency/Mercury Press)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.