Indonesian rescuers search for victims of the crashed military airplane in Medan, North Sumatra, Indonesia, 30 June 2015. At least people 49 people were killed after an Indonesian military plane crashed in North Sumatra and burst into flames, officials said. Air Force chief Air Marshal Agus Supriatna said there were no survivors after the plane ploughed into houses and commercial buildings in Medan, the country's third largest city. The plane left Jakarta with 113 people aboard, including military personnel and their relatives, but it was not clear how many continued the journey to Medan after stopovers in Pekanbaru and Dumai, Agus said. (Photo by Dedi Sahputra/EPA)

Iraqi army soldiers warm themselves next to a fire near the Qayara air base, south of Mosul, Iraq, Tuesday, November 1, 2016. The U.N. human rights office is lauding efforts by the U.S.-led coalition in the battle against the Islamic State group in Mosul. The office in Geneva says coalition flights over Iraq have largely succeeded in preventing IS from bringing in 25,000 more civilians to the city center, where the militant group has been using people as human shields as Iraqi forces advance on Mosul. (Photo by Felipe Dana/AP Photo)

A journalist (R) is attacked by residents who are trying to prevent migrants from disembarking on the Greek island of Lesbos, on March 1, 2020. The United Nation called on March 1 for calm and urged states to refrain from “excessive” force, as thousands of migrants have flooded to Turkey's border with Greece in a bid to enter the EU. A massive influx of migrants swelled along the border over the weekend after Turkey's President Recep Tayyip Erdogan threatened to open its frontier to Europe as tensions mount over its deepening conflict in Syria. (Photo by AFP Photo/Stringer)

A woman loyal to the Houthi movement holds a rifle as she takes part in a parade to show support to the movement in Sanaa, Yemen September 6, 2016. The Saudi-led Arab coalition launched a military campaign against the Huthis and their allies in March 2015, after the rebels closed in on Gulf-backed President Abedrabbo Mansour Hadi in his southern refuge of Aden, forcing him into exile. (Photo by Khaled Abdullah/Reuters)

A young girl splashes through a waterfall at a park in Washington, DC, on June 28, 2021, as a heatwave moves over much of the United States. Swathes of the United States and Canada endured record-setting heat on June 27, 2021, forcing schools and Covid-19 testing centers to close and the postponement of an Olympic athletics qualifying event, with forecasters warning of worse to come. The village of Lytton in British Columbia broke the record for Canada's all-time high, with a temperature of 46.6 degrees Celsius (116 Fahrenheit), said Environment Canada. (Photo by Jim Watson/AFP Photo)

A protester throws a stone while clashing with Mozambican riot police in Maputo on November 27, 2024. Fresh anti-government protests erupted in Mozambique on November 27, 2024 after a police vehicle mowed down a woman at a demonstration in the capital for the opposition leader disputing October elections in a deadly weeks-long standoff AFP reporters at the scene said protestors hurled stones at security forces who fired bullets and tear gas as clashes broke out after the woman was struck while standing behind a large banner of opposition leader Venancio Mondlane. (Photo by Alfredo Zuniga/AFP Photo)

Leon Samson, 24-year-old showman, grimaces as an automobile is driven across his chest at Perth, Australia on October 9, 1960. Samson said the towel on his chest is to prevent the wheel from tearing his flesh. (Photo by AP Photo)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.