People and sea-gulls bathe in the sea as the sun goes up with red colors in Stralsund close to the baltic sea island of Rügen, on early November 23, 2016. (Photo by Stefan Sauer/AFP Photo/DPA)
A shopkeeper wears a face mask as a precaution against the coronavirus waits for customers at a market in Bengaluru, India, Friday, November 20, 2020. India's total number of coronavirus cases since the pandemic began has crossed 9 million. Nevertheless the country's new daily cases have seen a steady decline for weeks now and the total number of cases represents 0.6% of India's 1.3 billion population. (Photo by Aijaz Rahi/AP Photo)
A woman holds her dog to be blessed by a priest at the Cathedral San Bernardino de Siena during the ceremony commemorating the Feast of San Antonio Abad, the patron saint of domestic animals, in Xochimilco on the outskirts of Mexico City, Mexico on January 17, 2024. (Photo by Raquel Cunha/Reuters)
British television, radio presenter and DJ Maya Jama has her hair brushed upon arrival at the Brit Awards 2022 in London Tuesday, February 8, 2022. (Photo by Joel C. Ryan/Invision/AP)
The Komodo National Park is a national park in Indonesia located within the Lesser Sunda Islands in the border region between the provinces of East Nusa Tenggara and West Nusa Tenggara. The park includes the three larger islands Komodo, Padar and Rinca, and 26 smaller ones, with a total area of 1,733 km² (603 km² of it land). The national park was founded in 1980 to protect the Komodo dragon, the world's largest lizard. Later it was dedicated to protecting other species, including marine species. In 1991 the national park was declared a UNESCO World Heritage Site and later as Man and Biosphere Reserve.
“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)