“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

Women play soccer as the Tungurahua volcano spews a column of ash during an eruption in Huambalo, Ecuador, Saturday, March 5, 2016. Tungurahua is 16,480 feet (5,023 meters) high and has been active since 1999. (Photo by Dolores Ochoa/AP Photo)

The Perth-based photographer and journalist Frances Andrijich has travelled the Western Australian coast since the early 90s, capturing clotheslines in all their glory. In her images they take the roles of play equipment, Christmas trees and, in the summer, a homemaker’s dream. Andrijich admits she is hopelessly hung up on clotheslines; her latest book celebrates them under the spotlight of the Australian sun. Here: Vera Germanis hangs out underwear in Frances Andrijich’s grandparents’ backyard. This was the photographer’s first clothesline shot, taken in Midland Junction in 1991. (Photo by Frances Andrijich)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

From house breaking in Johannesburg to hippos on the loose in Tbilisi to rioters attacking a policewoman in Burundi, Reuters photographers tell the story behind some of the most iconic pictures of the year. Here: Protesters drag a female police officer accused of shooting a protester in the Buterere neighbourhood of Bujumbura, Burundi, May 12, 2015. Goran Tomasevic: Protesters started throwing stones at a group of police, who then started to run away. The policewoman in the photo, Medikintos Inabeza, 33, got left behind and then some protesters started to push her, saying that she had shot a female protestor in the stomach with an AK47 rifle. I didn't see anything of that. There were 5 or 10 protesters pushing the policewoman at first, then others came and joined in. Up to 20 or 30 protesters were surrounding her at one point. The protesters kicked and beat her very badly; I also saw a couple of knives. I thought they were going to kill her... (Photo by Goran Tomasevic/Reuters)

Retired builder Vasili Sidamonidze, 70, poses for a portrait at his home in Gori, Georgia, December 6, 2016. “Unfortunately, Stalin is not popular nowadays. Our people don't respect him. Only we, members of the (Communist) Party, respect him”, Sidamonidze said. “I always try to attend Stalin's birthday anniversaries in Gori. Unfortunately many people don't want to join us even if they live nearby. They look at us from their windows”. (Photo by David Mdzinarishvili/Reuters)

Brazilian actress Julia Stockler (L) and Brazilian actress Carol Duarte kiss while posing with Brazilian film director Karim Ainouz during a photocall for the film “A Vida Invisivel de Euridice Gusmao (The Invisible Life of Euridice Gusmao)” at the 72nd edition of the Cannes Film Festival in Cannes, southern France, on May 20, 2019. (Photo by Stephane Mahe/Reuters)