A woman wearing a raincoat collects a plastic bag near a beach as Typhoon Bualoi nears, in Nghe An province, Vietnam, on September 28, 2025. (Photo by Thinh Nguyen/Reuters)

The phenomenon of the Hill of Crosses in northern Lithuania began when people started leaving crosses there hundreds of years ago – and continues to this day. These photos of a hill covered in crosses show the amazing sight it has become. Photo: In 1831 an unsuccessful uprising against the Russian czar left many rebels dead. Relatives of the dead rebels, with no bodies to bury, instead left crosses, according to the Daily Mail. (Photo by Richard Gardner/Rex USA)

An Ambassador car, licensed as taxi rolls past other vehicles through a busy road in Kolkata, india, Monday, May 26, 2014. India's oldest car factory has abruptly suspended production of the hulking Ambassador sedan that has a nearly seven-decade history as the car of the Indian elite. (Photo by Bikas Das/AP Photo)

A Japanese girl participates in a calligraphy contest to the celebrate the New Year in Tokyo January 5, 2015. Over 3,000 calligraphers, having qualified in country wide competitions throughout Japan, took part in the annual contest to celebrate the new year. (Photo by Issei Kato/Reuters)

Voodoo believers carry dead goats during a ceremony of Fet Gede in a Peristil, a voodoo temple, in Port-au-Prince, Haiti, November 2, 2016. (Photo by Andres Martinez Casares/Reuters)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

A hostess sits at a restaurant with paintings depicting Thailand's King Bhumibol Adulyadej hanging on a wall in Bangkok, Thailand, June 6, 2016. (Photo by Athit Perawongmetha/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)