Japanese Yuuka Hasumi, 17, and Ibuki Ito, 17, also from Japan, who want to become K-pop stars, perform at an Acopia School party in Seoul, South Korea, March 16, 2019. Acopia is a prep school offering young Japanese a shot at K-pop stardom, teaching them the dance moves, the songs and also the language. (Photo by Kim Hong-Ji/Reuters)

A man takes a picture by the burning mayor’s office in Almaty, Kazakhstan on January 5, 2022. Protests are spreading across Kazakhstan over the rising fuel prices; protesters broke into the Almaty mayor’s office and set it on fire. (Photo by Yerlan Dzhumayev/TASS)

Ethnic Miao women in traditional costumes take part in a tug of war as they celebrate the local ethnic Miao's new year at a village in Rongshui Miao Autonomous county, Guangxi Zhuang Autonomous Region, China January 5, 2019. (Photo by Reuters/China Stringer Network)

People take part in fake festival called “La Boum” organized by an anonymous group of people on Facebook for an April 1 joke at the Bois de la Cambre, in Brussels, Belgium, 01 April 2021. An anonymous group created a Facebook event called “La Boum”, touting an alleged festival to take place with famous DJs as headliners. Thousands of people on social media had shown interest to take part in the gathering, while police have advised that no authorization has been given for a music event. (Photo by Stephanie Lecocq/EPA/EFE)

Egyptian bootblacks cleaning a European's shoes in Cairo. (Photo by Hulton Archive/Getty Images). Circa 1870

Three secondary schoolboys smoking an illicit cigarette in Hyde Park, London. (Photo by Evening Standard/Getty Images). May 1972

Australian actress Joy Smithers poses beside a poster featuring Australian cricketer Brett Lee during the official launch of the AceStar underwear range at Pink Salt on August 19, 2008 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)