British rally driver Kris Meeke jumps his Citroen over a brow during the fifth special stage of the World Rally Championship (WRC) Rally of Australia, near Bellingen on the New South Wales central coast on September 12, 2014. (Photo by William West/AFP Photo)

People watch as an acrobat rides his motorcycle around a circular track at an entertainment park set up outside a shrine in Rawalpindi, Pakistan, on June 19, 2013. (Photo by Muhammed Muheisen/Associated Press)

Kaden Bringsplenty brings his horse to the starting line as Native Americans from all over the United States participate in an Indian relay race over Memorial Day weekend at the Osage County Fairgrounds in Pawhuska, Oklahoma, U.S. May 30, 2021. (Photo by Stephanie Keith/Reuters)

A tourist pets a cat before the “Horus protects Ramses II as a child”, dating to the reign of the Ancient Egyptian New Kingdom pharaoh (1303-1213 BC), at the Egyptian Museum in the centre of Egypt's capital Cairo on October 19, 2022. (Photo by Amir Makar/AFP Photo)

A model presents a creation by Moroccan designer Fadila El Gadi during a fashion show in Rabat on May 30, 2023. (Photo by Fadel Senna/AFP Photo)

Revellers help a man crowdsurf as they watch The Slaves perform on The Other Stage at the Glastonbury Festival of Music and Performing Arts on Worthy Farm near the village of Pilton in Somerset, South West England, on June 30, 2019. (Photo by Oli Scarff/AFP Photo)

Women wearing bikinis and Santa Claus hats participate in a promotional event to celebrate the upcoming Christmas at a ski resort in Xuchang, Henan province, December 23, 2014. Ten women wore Santa Claus-themed bikinis to welcome the coming Christmas in temperatures below zero Celsius. (Photo by Reuters/Stringer)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)