A man crosses Canal Street in the wind and rain from Hurricane Isaac August 29, 2012. (Photo by David J. Phillip/Associated Press)

“Freedom”. After the 30 years banning import large motorcycle, in 2007, the Taiwan government reopened the import licensing of the motorcycle displacement over 550 cubic centimeter. Those large bikes, which were never seen before, were strange thought and treated unequally frequently. However, those adversity will not stop those enthusiastic bike riders from chasing the road of freedom. Photo location: Taiwan. (Photo and caption by 火花 羅/National Geographic Photo Contest)

Children walk past the partially collapsed boundary wall of a school and a Buddhist shrine that were damaged during the earthquake earlier this year at Khumjung, a typical Sherpa village in Solukhumbu district also known as the Everest region, in this picture taken November 30, 2015. (Photo by Navesh Chitrakar/Reuters)

A visitor passes behind the sculpture “Puma-Dentist” made with plastic, wax and original heads of a puma and a hind by Austrian artist Deborah Sengl during an exhibition at the art gallery Deschler in Berlin April 15, 2008. (Photo by Fabrizio Bensch/Reuters)

A burning tank is in Daraa, on March 9, 2013. (Photo by Ali Abu-Salah/Reuters/Shaam News Network via The Atlantic)

LONDON - JUNE 04: A piece entitled “Entrance into wood” by Elke Krystufek goes on show at The Royal Academy Summer Exhibition on June 4, 2008 in London. In it's 240th year, the exhibition displays a wide range of recent work by both established and emerging artists. 10,000 artists submitted work for selection this year. (Photo by Peter Macdiarmid/Getty Images)

TV host/blogger Louise Roe attends The Weinstein Company's Academy Awards viewing and after party in partnership with Grey Goose at TAO Los Angeles at TAO Hollywood on February 26, 2017 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for The Weinstein Company)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)