An injured demonstrator hugs another as riot police officers prevent them from attending a Pride parade, which was banned by local authorities, in central in Ankara, Turkey on June 29, 2021. (Photo by Cagla Gurdogan/Reuters)

A couple watches office and residential buildings from the observation deck of Tokyo Skytree, the world's tallest broadcasting tower, in Tokyo, Japan, August 18, 2021. (Photo by Marko Djurica/Reuters)

A police officer fires tear gas at protesters after the presidential election results were announced in Kisumu, Kenya on August 15, 2022. (Photo by Baz Ratner/Reuters)

Police officers detain a demonstrator as people protest to defy a ban and march on Taksim Square to celebrate May Day in Istanbul, Turkey on May 1, 2023. (Photo by Dilara Senkaya/Reuters)

An arctic fox in Iceland spotted on March 19, 2025 by Marc Freebrey, a marketing officer from Gloucestershire. (Photo by Marc Freebrey/South West News Service)

Newly commissioned officers toss their hats during the US Coast Guard Academy's 144th Commencement in New London, Connecticut, on May 21, 2025. (Photo by Joseph Prezioso/AFP Photo)

Demonstrators help a fellow protester during clashes with security forces during an opposition rally in Caracas, Venezuela on April 4, 2017. Protesters clashed with police in Venezuela Tuesday as the opposition mobilized against moves to tighten President Nicolas Maduro' s grip on power. Protesters hurled stones at riot police who fired tear gas as they blocked the demonstrators from advancing through central Caracas, where pro- government activists were also planning to march. (Photo by Carlos Garcia Rawlins/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.