Bristol Museum & Art Gallery representatives on Monday, June 23, 2025 hold an empty frame against Avon Gorge in Bristol, which was painted by JMW Turner in The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol (1792). A fundraising campaign has been launched to bring one of the earliest works by Turner back to the city of Bristol where the artist painted it when he was 17 years old. Bristol Museum & Art Gallery is now keen to acquire the work, which is believed to be the only oil painting Turner made of the city. (Photo by Ben Birchall/PA Images via Getty Images)

Players in action during the Swamp Soccer Championships 2019 in Hyrynsalmi, Finland, 19 July 2019. The World Championship in swamp football is played annually on Vuorisuo bog in Hyrynsalmi. (Photo by Tomi Hanninen/EPA/EFE)

Silhouetted against the warm sunset skyline and the illuminated Tokyo Tower, visitors are reflected on the glass walls of a rooftop observation deck Thursday, January 21, 2021, in Tokyo. (Photo by Kiichiro Sato/AP Photo)

A “mozos”, is caught by the horn of a bull of Miura ranch during the last “encierro”, or running-with-the-bulls, of the Sanfermines festivities in Pamplona, Spain, 14 July 2019. (Photo by Daniel Fernandez/EPA/EFE)

Sister Kate and Sister Claire pose on the beach to promote the documentary film “Breaking Habits?” at the Cannes Film Festival on May 09, 2018 in Cannes, France. (Photo by Regis Duvignau/Reuters)

Pashtan Wagner, a Blue Oriental Cat participates in the GCCF Supreme Cat Show at National Exhibition Centre on October 28, 2017 in Birmingham, England. (Photo by Shirlaine Forrest/WireImage)

Getting her tongue pierced was “exciting and scary” says a teen who succumbed to pressure from her best friend in Austin, Texas, February 22, 2008. This image is featured in National Geographic's exhibition “Women of Vision: National Geographic Photographers on Assignment”, on view at the Palm Beach Photographic Centre, Jan. 22 - Mar. 22, 2015. (Photo by Kitra Cahana/National Geographic)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)