Yuanlei Liao, the singer of hardcore band called Thank Ray wears a read scarf after performing on the stage of Mao Live House during the club's last public concert night in central Beijing, China April 23, 2016. Mao Live House, a prominent live rock music venue in Beijing, shut its doors on the weekend, the latest closure to hit China's rock music scene. Owner Li Chi said the club, popular among fans of punk, metal and alternative rock since it opened nine years ago, was forced to close due to tighter rules on live performances. (Photo by Damir Sagolj/Reuters)

Michael Grant, 28, “Philly Jesus”, carries a 12 foot cross 8 miles through this blighted area of North Philadelphia towards LOVE Park in Center City as part of a Christmas walk to spread the true message of the holiday in Philadelphia, Pennsylvania December 20, 2014. As many as a half dozen others joined him for numerous miles as he trekked southward down Broad Street. Some shouted “Praise Jesus!” and “Thank you for doing this!” at the sight. Nearly everyday for the last 8 months, Grant has dressed as Jesus Christ, and walked the streets of Philadelphia to share the Christian gospel by example. He quickly acquired the nickname of “Philly Jesus”, which he has gone by ever since. (Photo by Mark Makela/Reuters)

A girl of the Amazonian Tatuyo tribe poses while waiting to sell crafts to tourists in her village in the Rio Negro (Black River) near Manaus city, a World Cup host city, June 23, 2014. Because of their proximity to host city Manaus and their warm welcome, the Tatuyo have enjoyed three weeks of brisk business thanks to the World Cup. Usually, they host between 10 and 30 tourists a day. During the World Cup, this number has rocketed to 250 a day, They have become richer and other communities now come to them to sell them juices and fishes. (Photo by Andres Stapff/Reuters)

Sleep under the Stars, hosted by Hepburn Wind, has given us an opportunity to enrich our daily life with art. Thanks to this festival, a regular wind turbine was turned into a marvelous peace of art. The artwork is especially noticeable, since its theme greatly contrasts with the background behind the wind turbine. Moreover, the idea of drawing a woman-giantess walking over the mountain tops on a large conical object is quite extraordinary. Nevertheless, the grey and green colors of the picture were very well chosen for this particular image. You can only imagine the obstacles that the artists had to face when making a picture on such a large object. However, nowadays, people never cease to amaze with their ingenuity, leaving us gaping in awe at their creations.

There are many ways to interpret the creations of Yoshitoshi Kanemaki, whose works usually involve sculptures of people where two or more characters have merged into a single being. Possibly, Yoshitoshi Kanemaki is trying to express through his sculptures that everyone’s soul is multifaceted. Good emotions are mixed with the bad, love is mixed with hate, contempt with admiration. How often do you hear that a person loves someone deeply, while doing completely horrendous things, unable to see that he or she is destroying their object of love? Nevertheless, we should be thankful to the nature for all the different emotions that we are able to feel. Unlike animals, who only show simple forms of emotions, such as anger, happiness, and a few others, human soul is much deeper, allowing us to feel a full plethora of emotions. (Photo by Yoshitoshi Kanemaki)

I was born in Calella (Barcelona) in 1956, and nowadays I live in Vilassar de Mar (Barcelona). Since I was a child I have been fascinated by painting and I think I'm a self-taught painter because, despite I was taught drawing at Primary School, I have acquired my knowledge thanks to my environment. Painting is my own way to express myself. I can shape my inward in the canvas with the essential help of the palette knife and the colours. As a nature’s lover and great observant, my environment has always been my source of inspiration. At present I devote myself exclusively to painting, my true passion, and that is why I feel extremely fortunate.

Li Guoqiang talks on his phone outside his house at Guangfuli neighbourhood, in Shanghai, China, April 1, 2016. Li, 38, is a deliveryman who rents a place at Guangfuli. In a corner of Shanghai, surrounded by a cement wall, lies one of the world's most valuable fields of debris and garbage. On paper, the Guangfuli neighbourhood is a real estate investor's dream: a plot in the middle of one of the world's most expensive and fast-rising property markets. But the reality is more like a developer's nightmare, thanks to hundreds of people living there who have refused to budge from their ramshackle homes for nearly 16 years as the local authority sought to clear the land for new construction. (Photo by Aly Song/Reuters)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)