Lindsay Mann (L) and Anabella Mowbray kiss as they take photos of themselves laying in the confetti on 7th Avenue in Times Square on New Year's Eve in New York January 1, 2015. (Photo by Carlo Allegri/Reuters)

Professional conceptual category winner. Greetings from Mars, by Julien Mauve, France. Mauve says: “I have always wondered what it would be like to discover a totally different world ... and to photograph it for the first time as if I was Ansel Adams. So I came up with this project, which is about space exploration and discovery. But it’s also about our behavior in front of landscapes and how we create pictures that will share our personal story with the world”. (Photo by Julien Mauve)

A girl jumps to touch cherry blossoms in full bloom in Fussa, outskirts Tokyo, Japan, 05 April 2014. Temperatures being very constant made blossoms to keep full bloom for holiday makers. (Photo by Kimimasa Mayama/EPA)

Soldiers and firefighters carry the body of Chilean President Salvador Allende, wrapped in a Bolivian poncho, out of La Moneda presidential palace after it was bombed during a coup by Gen. Augusto Pinochet in Santiago, Chile, September 11, 1973. (Phoot by El Mercurio/AP Photo)

Marine One with US President Joe Biden onboard takes off from the South Lawn of the White House in Washington, DC, on April 16, 2024. Biden is travelling to Scranton, Pennsylvania. (Photo by Drew Angerer/AFP Photo)

This image released by Paramount Pictures shows Taron Egerton as Elton John in a scene from “Rocketman”. (Photo by David Appleby/Paramount Pictures via AP Photo)

The civilised world lies on its knees, a sickness wracking its body. The affliction causes a necrotising of tissues so perfectly uniform in distribution that victims take on the appearance of corpses long before death occurs due to organ failure or secondary infections. ...

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)