Finding just the right spot above the clouds at Camp 1 on Ama Dablam, Danuru Sherpa uses his iPhone to catch up with friends and family. Even at 18,500 feet (5,654 meters), climbers here can check their email and other dispatches from the world below. (Photo by Aaron Huey/National Geographic)

Refugees and migrants try to find a place on an already full train headed for Serbia, near the city of Gevgelija, The Former Yugoslav Republic of Macedonia, on February 24, 2016. Refugees and migrants from Iraq and Syria continue to pass through Macedonia on their way to the European Union. (Photo by Georgi Licovski/EPA)

In this January 12, 2015 photo, a wall of collectable sneakers are displayed at Sneaker Pawn in the Harlem section of New York. Basketball sneakers can re-sell for hundreds of dollars, depending on the model, the size of the production run and how easy it is to find a pair in good condition. (Photo by Seth Wenig/AP Photo)

View of an oil-stained bird on the shore of a contaminated lake in Maracaibo, Venezuela on June 22, 2023. The Azul Ambientalistas foundation denounced on 22 June the “state of emergency” in which the Maracaibo Lake, the largest in Venezuela, finds itself, due to oil spills that, it assured, are affecting the lake economy and the health of the people. (Photo by Henry Chirinos/EPA)

American singer-songwriter Taylor Swift early October 2025 reveals “dark fear” that used to plague her before finding Travis Kelce as she opens up about wedding plans. (Photo by Mert Alas & Marcus Piggott)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)