Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

An indigenous man of Mahmeri tribe wearing a costume of Puteri Gunung Ledang character receives a dose of the vaccine against Covid-19 in Banting, near Kuala Lumpur, Malaysia,15 August 2021. Malaysia recorded another 20,670 new Covid-19 cases on 14 August, bringing the cumulative total to 1,384,353 cases. (Photo by Ahmad Yusni/EPA/EFE)

Many people have seen feathers as decorative items before. Today, ostrich, peacock and bird of paradise feathers can be seen in haute couture and in the costumes of indigenous peoples. They can be colorful and spectacular in their own right, but how much more stunning might they be when used as canvases for artists, eager to demonstrate their talent for the unusual? Alaskan-born and -bred artist Julie Thompson is an astounding exponent of this incredible art form.

Francisco Solano poses for a photo in his bird-feather suit after attending a Mass commemorating the feast day of St. Francis Solano, in Emboscada, Paraguay, Friday, July 24, 2015. Some 500 people attended the festivity – a mix of indigenous and Guarani Indian beliefs. The festival begins with a Mass, continues with a procession of the diminutive wooden statue of St. Francis, and ends with people dancing in suits made with black, white, brown and grey feathers. (Photo by Jorge Saenz/AP Photo)

A Raramuris indigenous woman takes part in the “Ultra maraton de los Canones 2017” (Ultra marathon of the Canyons), at La Sinforosa Canyon, in Guachochi, Chihuahua state, Mexico on July 15, 2017. More than 600 participants from different countries take part in the 63 and 100 kilometers races, along the Tarahumara mountain range. (Photo by Herika Martinez/AFP Photo)

Ecuadorian indigenous people celebrate the festival of the moon or Kulla Raymi, in Quito, Ecuador, 21 September 2021. A circle on the ground made up of fruits and inside the Andean symbol of the chacana, multinational geometric flags and a cross that symbolizes the four cardinal points, were the setting in which the festival of the moon, the Kulla, was commemorated this Tuesday. Raymi, on a hill in Quito. It is one of the four most significant festivities of the Andean agroecological calendar, which commemorates the beginning of life and exalts women as the maximum representation of fertility. (Photo by Jose Jacome/EPA/EFE)

Sami people from the Vilhelmina Norra Sameby, gather their reindeers herd in a corral for selection and calf labelling on October 27, 2016 near the village of Dikanaess, about 800 kilometers north-west of the capital Sweden. Sweden's Sami reindeer herders have more than hungry predators to worry about in the cold night, as the indigenous minority moves its flock to the winter pasture in the Nordic tundra. (Photo by Jonathan Nackstrand/AFP Photo)

A man lies on the floor during a ritual at the Sorte Mountain on the outskirts of Chivacoa, in the state of Yaracuy, Venezuela October 10, 2015. One long night every year in a mountainous rainforest in Venezuela, hundreds gather to dance on red-hot embers, enter trance-like states, and worship an ancient goddess known as Maria Lionza. Those who travel to the mountain known as Sorte in central Venezuela are practitioners of a cult that is built on local indigenous traditions. (Photo by Marco Bello/Reuters)