Most people know Nikon as a purveyor of pro and consumer-grade digital cameras. But the company's expertise with optics bleeds over into related markets – it's one of the science community's major suppliers of microscopes. And each year the company asks the community to send it some of their favorite images of tiny objects. A panel of scientists and journalists have chosen the best of this past year's submissions, which Nikon has placed on its Small World site.

Photo: Honorable Mention. “Snow crystal, illuminated with colored lights (5x)”. (Photo by Dr. Kenneth Libbrecht, California Institute of Technology (Caltech), Department of Physics, Pasadena, California, USA)

In this Wednesday, July 23, 2014 file photo, Omaha photographer Lane Hickenbottom photographs the night sky in a pasture near Callaway, Neb. With no moon in the sky, the Milky Way was visible to the naked eye. More than one-third of the world’s population can no longer see the Milky Way because of man-made lights, according to a scientific paper by Light Pollution Science and Technology Institute's Fabio Falchi and his team members, published on Friday, June 10, 2016. (Photo by Travis Heying/The Wichita Eagle via AP Photo)

Delta CEO Ed Bastian talks about the century-old airline's past and technology such as generative artificial intelligence that he sees shaping its future during a Consumer Electronics Show (CES) presentation at The Sphere concert venue in Las Vegas on January 7, 2025. Delta on January 7 marked a century of flying with visions of a future in which artificial intelligence and internet age partnerships make air travel fun and seamless. (Photo by Glenn Chapman/AFP Photo)

Thailand`s Rangsit University is a private institution of higher education with the primary aim of creating graduates in different areas of study, focusing mainly on science, technology, design and management. But what makes this university renowned around the world is its colorful campus, with trees and bushes painted to beautify the campus. Though in 2011 the plants were significantly damaged in one of Thailand’s worst floods in five decades, they continue to enliven the atmosphere at the university.

This is a serval of the zoo of Amnéville, and yes indeed, he has big ears, servals are well known for that!


Emmanuel Keller began his photography in the late 1990’s when he was inspired by the emerging technology of digital photography and also by simply watching animals. Popularly known as “Tambako the Jaguar”, Emmanuel inspires many people with his photography. ...

“A small British company with a dream of building a re-usable space plane has won an important endorsement from the European Space Agency (ESA) after completing key tests on its novel engine technology. Reaction Engines Ltd believes its Sabre engine, which would operate like a jet engine in the atmosphere and a rocket in space, could displace rockets for space access and transform air travel by bringing any destination on Earth to no more than four hours away”. – Chris Wickham via Reuters. Photo: Artist's impression of Skylon. (Photo by Reaction Engines Ltd)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.