A craftsman makes imitation bread samples at The Sample Factory on February 25, 2008 in Gujo, Gifu, Japan. Gujo City has more than a 50 percent share of the imitation vinyl chloride samples industry. Replica foods are used in most restaurant window displays in Japan, and are popular as souvenirs for tourists. (Photo by Koichi Kamoshida/Getty Images)

Fishermen slaughter a 9.61m Baird's Beaked whale at Wada Port on June 28, 2008 in Minami Boso, Chiba, Japan. Only five ports are allowed whaling under the coastal whaling program which tries to keep whaling tradition that dates back to the seventeenth century. Japan is only allowed to hunt a limited number of whales every year. (Photo by Koichi Kamoshida/Getty Images)

A statue of The Earl of Beaconsfield looks on as a giant mechanical spider sits on the side of the derelict Concourse tower in Liverpool city centre on September 3, 2008 in Liverpool, England. The 50ft tall spider was commissioned for the city's European Capital of Culture year and will begin moving to explore the city operated by artists from French theatre company La Machine. (Photo by Christopher Furlong/Getty Images)

“The World Stands on its Head” (“Die Welt Steht Kopf”) House on the Baltic Sea Island of Usedom stands nearly completed on September 3, 2008 in Trassenheide, Germany. The upside down house, complete with upside down interior furnishings, is the brainchild of Klaudiusz Golos and Sebastian Mikiciuk, and will become a local tourist attraction. (Photo by Sean Gallup/Getty Images)

Musicians from the Academy of Contemporary Music play using instruments made of car parts during a photocall on April 16, 2008 in London, England. Ford's unique orchestra made up entirely of Ford Focus car parts. (Photo by Daniel Berehulak/Getty Images)

A cook grills chicken during the Festival des Grillades, in the yard of the Culture Palace of Abidjan, September 5, 2015. The two day festival was iniated in 2008 to promote Ivorian cuisine, which revolves around grilled food. (Photo by Luc Gnago/Reuters)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)