American photographer Austin Tott created the series ‘Tiny Tattoos’ that matches miniature hand-drawn tattoos with the backgrounds from which they draw visual reference. A small bicycle is placed in its urban environment, little trees and envelopes find their bigger brothers and a tiny fox is put in the context of wooden logs.

A member of the Qinghai Acrobatic Troupe checks her hair with a smartphone during a media preview for the world premiere of cabaret show “Shanghai Mimi” as part of Sydney Festival in Chinatown, central Sydney, Australia, 08 January 2019. Sydney Festival 2019 runs from 09 to 27 January and will feature theatre, dance, circus, music, visual arts and talks from international and local artists. (Photo by Steven Saphore/EPA/EFE)

People line up to buy toilet paper and baby diapers at a supermarket in downtown Caracas January 19, 2015. There's a booming new profession in Venezuela: standing in line. The job usually involves starting before dawn, enduring long hours under the Caribbean sun, dodging or bribing police, and then selling a coveted spot at the front of huge shopping lines. As Venezuela's ailing economy spawns unprecedented shortages of basic goods, panic-buying and a rush to snap up subsidized food, demand is high and the pay is reasonable. (Photo by Jorge Silva/Reuters)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.

Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Yogis and street performers have been simulating levitation with nifty contraptions forever. They appear to be held aloft via nothing but their preternatural mental prowess. But are really enjoying the benefits of basic physics just like the rest of us when we use a chair. However, just because it’s perfectly explainable doesn’t mean it isn’t nifty. I’m especially impressed by this 2-person version and am still trying to work out how exactly the chair they’re using is shaped at the base.