A gibbon drinks from a soft drink bottle, given by a tourist, at a zoo in Kunming, Yunnan province, June 18, 2015. (Photo by Wong Campion/Reuters)

A woman tries to take selfie photos in front of a photo spot featuring Christmas season scene and masks at Tokyo Mask Land, a face-mask theme exhibition and its speciality shop, amid the coronavirus disease (COVID-19) outbreak, in Yokohama, Japan on December 1, 2020. (Photo by Issei Kato/Reuters)

A biker shows his 12-year-old cat “Chiquinho” – which always rides with him on his motorbike – in Rio de Janeiro, Brazil, on June 19, 2016. (Photo by Yasuyoshi Chiba/AFP Photo)

People without face masks are seen at Times Square during the coronavirus disease (COVID-19) pandemic in New York City, U.S., March 11, 2021. (Photo by Eduardo Munoz/Reuters)

A worker sings while carrying prickly pears on his head as their production is on the rise due to low water consumption and ability to withstand extreme temperatures, according to farmers, at a farm in Al Qalyubia Governorate, Egypt on August 2, 2022. (Photo by Mohamed Abd El Ghany/Reuters)

A member of a winter swimming club wears flippers during the celebration of Maslenitsa, also known as Pancake Week, a pagan holiday, marking the end of the winter, in Novosibirsk, Russia. (Photo by Alexandr Kryazhev/Sputnik/Profimedia)

A 41-year-old man going by the name of Chibatman rides his “Chibatpod” on the road in Chiba, east of Tokyo, August 31, 2014. The man, who dresses up as the comic book superhero Batman, came up with his moniker after adding a prefix of the first three letters of the city name, of which he roams on his three-wheeled motorcycle. However, unlike the hero from the Batman series, he rides around in his machine, designed from inspiration of the “Batpod” from the movies The Dark Knight and The Dark Knight Rises, delivering smiles instead of fighting crime. (Photo by Yuya Shino/Reuters)

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.