“The Space Launch System, or SLS, is a Shuttle-Derived heavy launch vehicle being designed by NASA, following the cancellation of the Constellation Program, to replace the Space Shuttle after its retirement. The NASA Authorization Act of 2010 envisions the transformation of the Ares I and Ares V vehicle designs into a single launch vehicle usable for both crew and cargo. It is to be upgraded over time with more powerful versions. The proposed SLS is visually similar to the legacy Saturn V booster and in particular the proposed, two-stage, Saturn INT-20”. – Wikipedia

Photo: In this illustration provided by NASA, the design for a new space rocket system, the Space Launch System, is seen. NASA's new rocket design will reportedly cost about $35 billion and be ready to for test launch in 2017. According to NASA, the rocket will be used to carry Orion Multi-Purpose Crew Vehicle as well as cargo and science experiments to earth's orbit, as a backup for the space station and possibly destinations beyond that. (Illustration by NASA via Getty Images)

A woman looks on while a horse-drawn carriage passes by Italian artist Emilio Ferro's artwork installation “Portal of Light” at the Giza pyramids necropolis during the second edition of the Art D’Égypte exhibition “Forever is Now” on October 27, 2022. (Photo by Khaled Desouki/AFP Photo)

The carriages have decayed over time, on February 27, 2015, in Purwakarta, Indonesia. Dozens of trains are stacked on top of each other in what looks like a post-apocalyptic world. The old electric trains that travelled in and out of Jakarta, Indonesia, are weathered and decayed over time. The trains were used everyday since the 1980s and carried thousands of people to work. Now the carriages, which were once the lifeblood of public transport in the south-Asian city, have been left to rust among shrubbery. (Photo by HKV/Barcroft Media)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

Chechen Interior Minister Ruslan Alkhanov greets participants of the military parade to mark the Victory Day in Grozny, Russia, May 9, 2015. Russia marks the 70th anniversary of the end of World War Two in Europe on Saturday with a military parade, showcasing new military hardware at a time when relations with the West have hit lows not seen since the Cold War. (Photo by Reuters/Host Photo Agency/RIA Novosti)

Revellers chase a bull into the sea during the “Bous a la Mar” festival on July 14, 2011 in Denia, Spain. The Spanish “Bous a la Mar” or “Bulls to the Sea” festival is held in honour of the Santisima Sangre and commemorate a monk named Pedro Esteve, who, as the legend has it, saved the coastal town of Denia from a plague in 1633. The bulls chased into the sea are later brought back to land by small boats. (Photo by Jasper Juinen/Getty Images)