Plaster cast moulds of victims of the Mount Vesuvius eruption lie on a display table in a laboratory at Pompeii October 13, 2015. An expert team made up of archaeologists, radiologists, orthodontists and anthropologists began on September 2015 to use CAT scan technology (computerised axial tomography) to peer inside the plaster cast moulds of Pompeii's victims, in a study that has added more detail to previous findings. A 16-layer scan had to be used in order to penetrate the hardened plaster but the results showed up impressive skeletal remains and near perfect teeth. (Photo by Alessandro Bianchi/Reuters)

An inventive make-up artist has started using her chin as a canvas for unique paintings of popular cartoon characters. Using her own mouth as the teeth and lips of her subjects, stunning Laura Jenkinson, 25, paints around them using theatrical make-up to create the pint-sized portraits. Shrek, Finding Nemo’s Dory and the Genie from Aladdin have all featured in the series of incredible pictures that she has spent a year putting together. Her pictures have gone viral on facebook and Instagram where her posts regularly receive more than 1500 likes. Here, Bugs Bunny from “Looney Tunes” is depicted on Jenkinson. (Photo by Laura Jenkinson/Caters News)

Each day as we look in the mirror, we think that we know ourselves. We are used to the image that we see before us, but the mirror can show us much more than we ever hoped to see. Sometimes it only shows basic emotions, while at other times it can highlight the deepest crevices of our soul. If you wish, in the reflection of the mirror you can see your deepest thoughts, masks that you wear every day, your desires, and of course the people that you think about. But are you brave enough to look deep within your soul? Will you dive headlong or shy away from your true image? Those that will muster up the courage necessary will realize it was well worth the effort. (Photo by Devin Mitchell)

Wellcome trust employee Zoe Middleton poses behind an artwork entitled “My Soul” by Katharine Dowson, which consists of a laser etched lead chrystal glass formation in the shape of a brain, and was created using the artists own MRI Scan, at Wellcome Collection on March 27, 2012 in London, England. (Photo by Dan Kitwood/Getty Images)

Sushi chef Mitsuru Tamura uses a radiation detector on seafood before it is prepared in Manhattan's Sushi Yasuda restaurant April 8, 2011 in New York City. The restaurant has begun using the detector as a precautionary measure due to consumer concerns over possible radiation contamination in seafood from the nuclear emergency in Japan. Health officials believe contamination is unlikely to threaten the food supply chain and none has been found in this restaurant. (Photo by Mario Tama/Getty Images)

A camel foams at the mouth as he is whipped by a robot jockey during a race at Nad al-Sheba on December 6, 2006 in Dubai, United Arab Emirates. This is the first season that robotic jockeys have been used to race camels in Dubai. Controversially children from India were used to ride the camels in past seasons. These robot jockeys costing 15000GBP and up, were designed in Geneva and include shock absorbers and GPS tracking systems. The camel's owners control them from their speeding four wheel drives at the side of the track. (Photo by Chris Jackson/Getty Images)

“José Doroteo Arango Arámbula (5 June 1878 – 20 July 1923) – better known by his pseudonym Francisco Villa or its hypocorism Pancho Villa – was one of the most prominent Mexican Revolutionary generals”. – Wikipedia

Photo: Mexican rebel leader Francisco “Pancho” Villa with one of the motorcycles used in the Battle of Torrero. (Photo by Topical Press Agency/Getty Images). August 1914

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)