Ryann O'Toole after finishing her round on the 18th during day four of the Trust Golf Women's Scottish Open at Dumbarnie Links, St Andrews on Sunday, August 15, 2021. (Photo by Malcolm MacKenzie/PA Wire Press Association)

A reveller helps a woman prepare her costume after the normal Notting Hill Carnival festivities were cancelled for a second year running, amid the coronavirus disease (COVID-19) outbreak, in London, Britain, August 30, 2021. (Photo by Beresford Hodge/Reuters)

Emma Raducanu of Great Britain takes a selfie after victory over Stephanie Voegele of Switzerland in the first round of the women's singles of the US Open at the USTA Billie Jean King National Tennis Center on August 31, 2021 in New York City. (Photo by Rex Features/Shutterstock)

American actress Tommy Dorfman and American Afro-Panamanian actress Tessa Thompson at Boom Boom Room's Met Gala After-Party on September 13, 2021 in New York City. (Photo by Marc Patrick/BFA.com)

Partner of Team USA's Dustin Johnson, Paulina Gretzky celebrates with champagne after winning over Team Europe during Sunday Singles Matches of the 43rd Ryder Cup at Whistling Straits on September 26, 2021 in Kohler, Wisconsin. (Photo by Jonathan Ernst/Reuters)

A woman watches rescue operations after a bus and a truck crashed on the road that links the Honduran capital with the south of the country, near Germania, 11 km south of Tegucigalpa on February 5, 2017. At least 12 people were killed and 35 injured of some 70 who were on board the bus. (Photo by Orlando Sierra/AFP Photo)

TV host/blogger Louise Roe attends The Weinstein Company's Academy Awards viewing and after party in partnership with Grey Goose at TAO Los Angeles at TAO Hollywood on February 26, 2017 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for The Weinstein Company)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)