People enjoy carnival while shouting slogans of female empowerment and anti harrassment in Sao Paulo, Brazil on January 28, 2018. The carnival is marked by a lot of fun, but also has space to talk about more serious things – without losing the good mood. Parading for the first time in São Paulo, the Vaca Profana block proposed a reflection on sieges and machismo. (Photo by Cris Faga/Rex Features/Shutterstock)

Thomas jumps into the water from a spring board at a public swimming pool in Mengen, Germany, 28 August 2016. (Photo by Thomas Warnack/EPA)

A solders in ceremonial attire sweats as he waits outside Suddhaisavarya Prasad Hall, in which Thailand's King Maha Vajiralongkorn scheduled to grant a public audience in Bangkok, Thailand, Monday, May 6, 2019. King Maha Vajiralongkorn was officially crowned amid the splendour of the country's Grand Palace, taking the central role in an elaborate centuries-old royal ceremony that was last held almost seven decades ago. (Photo by Gemunu Amarasinghe/AP Photo)

Spectators in costume line the race route during the 12th stage of the 109th edition of the Tour de France cycling race, 165,1 km between Briancon and L'Alpe-d'Huez, in the French Alps, on July 14, 2022. (Photo by Marco Bertorello/AFP Photo)

This aerial photograph taken on January 27, 2024 shows a camel in the desert of Samawa in Iraq's southern province of al-Muthanna. (Photo by Hussein Faleh/AFP Photo)

Women look at a collapsed building caused by earthquakes, in Bhaktapur, Nepal, May 18, 2015. Nepal is facing billions in reconstruction costs with almost 745,600 buildings and homes damaged or destroyed, including at least 87,700 in the capital, according to Nepal's emergency authority. (Photo by Ahmad Masood/Reuters)

A hot air balloon floats past an almost full rising moon on a warm fall evening near Encinitas, California October 5, 2014. (Photo by Mike Blake/Reuters)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.