American paratroopers from the the 82nd Expeditionary Rescue Squadron take part in training for rescue operations in East Africa in the last decade of April 2024. (Photo by Senior Airman Olivia Gibson/US Air Force/CMA)

The sun rises this morning behind the 173ft spire of St Mary's church in the market town of Whittlesey in Cambridgeshire, UK on February 17, 2024. The church dates from the 13th century with the Ashlar faced tower added in the 15th century. (Photo by Andrew McCaren/London News Pictures)

A young Thai man jumps in the air and cheers as his rocket takes off at the Bun Bang Fai Rocket Festival on May 10, 2015 in Yasothon, Thailand. (Photo by Taylor Weidman/Getty Images)

This picture taken with an underwater camera shows Japan' s Yumi Adachi competing in the Mixed Duet technical final during the synchronised swimming competition at the 2017 FINA World Championships in Budapest, on July 17, 2017. (Photo by Bernadett Szabo/Reuters)

A Siberian tiger at a photographer for getting too much in its face during the presentation of two new Siberian tigers at Cabarceno Natural Reserve in Cabarceno, northern Spain, 21 July 2014. (Photo by Pedro Puente Hoyos/EPA)

Festival goers having fun at the Balaton Sound music festival in Zamardi next to the Lake of Balaton, 110 km (68 miles) west of Budapest, July 8, 2017. (Photo by Sandor Csudai)

Rita Ora attends the World Premiere of JEREMY SCOTT: THE PEOPLE'S DESIGNER, presented by The Vladar Company and Quintessentially at the TCL Chinese Theatre on Tuesday, September 8, 2015, in Hollywood, Calif. (Photo by Matt Sayles/Invision for The Vladar Company/AP Images)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)