Raccoon Fritzi eats at the home of veterinarian Mathilde Laininger in Berlin, Germany, January 27, 2022. She cares for four raccoons that can no longer be released into the wild. Raccoon Fritzi has an Instagram account with ten thousand followers. (Photo by Hannibal Hanschke/Reuters)

More than 400 people stripped off and ran into freezing waters to celebrate the autumn equinox – and raise money for charity at Druridge Bay, Britain, September 25, 2016. It was the largest turnout the North East Skinny Dip has ever seen in its five-year history, and it was also the first time it has ever rained on the morning of the event. Revellers gathered from 5.30am on Sunday at Druridge Bay, in Northumberland, before baring all in the North Sea. (Photo by David Charlton Photography)

A visitor jumps for a photograph on the world's highest and longest glass-bottomed bridge above a valley in Zhangjiajie in China's Hunan Province on August 21, 2016. The bridge, which opened to the public on a trial basis on Saturday, spans 430 meters (1,410 feet) and rises about 300 meters (984 feet) above a valley in a scenic zone, making it the world's highest and longest glass-bottomed bridge according to Chinese state media. (Photo by Fred Dufour/AFP Photo)

Aleksandra Miroslaw, of Poland, competes during the speed portion of the women's sport climbing final at the 2020 Summer Olympics, Friday, August 6, 2021, in Tokyo, Japan. (Photo by Tsuyoshi Ueda/Pool Photo via AP Photo)

The view at night from the Shanghai Tower in Shanghai, China on August 7, 2015. The tower is technically smaller than the Burj Khalifa in Dubai but, while the observation deck of Dubai’s mega-structure is at 556m, the Shanghai Tower’s is at 561m, meaning the view is a little higher. (Photo by Paul Reiffer/REX Shutterstock)

A man walks through floodwater as rain pours in Kuala Lumpur, Malaysia, on November 24, 2025. (Photo by Hasnoor Hussain/Reuters)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)