Artist Marco Ugolini Per Color series of photographs display supermarket products divided by colour. The Images taken by Brazilian photographer Pedro Motta, were created for Marco's residency at JACA the Center for Contemporary Arts in Brazil.

Mungo Thomson is a contemporary visual concept artist from Los Angeles. His work can be described as simple but fascinating. His interest in what he calls ‘the dumb idea’, something simple but interesting, makes his art so special.

Malaysian artist Vince Low’s series of doodle art illustrations of some of cinema’s famous leading men is a delight to behold.

Dr. Christopher Brown (R), the Director of the Ashmolean, talks with Colin Harrison, the Ashmolean's Senior Curator of European Art, in front of a painting by Edouard Manet entitled “Portrait of Mademoiselle Claus” from 1868 in the Ashmolean Museum on February 24, 2012 in Oxford, England. The painting has been sold to a foreign buyer for 28.35 million GBP, however the Government has extended a temporary export bar on the artwork until August to give the Ashmolean an opportunity to raise funds to retain the painting in the UK. (Photo by Oli Scarff/Getty Images)

“In 2009 a monumental underwater museum called “MUSA” (Museo Subacuático de Arte) was formed in the waters surrounding Cancun, Isla Mujeres and Punta Nizuc. The project founded by Jaime Gonzalez Cano of The National Marine Park, Roberto Diaz of The Cancun Nautical Association and Jason deCaires Taylor consists of over 450 permanent life-size sculptures and is one of the largest and most ambitious underwater artificial art attractions in the world”. – UnderwaterSculpture (Photos by Jason deCaires Taylor/Intrepidacious/Kozy and Dan Kitchens)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)