Revellers celebrate "Ash Monday" by participating in a colourful "flour war", a traditional festivity marking the end of the carnival season and the start of the 40-day Lent period until the Orthodox Easter,in the port town of Galaxidi, some 215 km (134 miles) north west of Athens, March 18, 2013. The revellers "fight" by throwing coloured flour, charcoal dust and powder painting until they essentially run out of supplies. (Photo by Yannis Behrakis/Reuters)

Pope Francis greets the crowd from his popemobile in downtown Rio de Janeiro. Pope Francis touched down in Rio de Janeiro on Monday, starting his first foreign trip as pontiff and a weeklong series of events expected to attract more than a million people to a gathering of young faithful in Brazil, home to the world's largest Roman Catholic population. (Photo by Ueslei Marcelino/Reuters)

A view of the Tianducheng development in Hangzhou, Zhejiang Province August 1, 2013. Tianducheng, developed by Zhejiang Guangsha Co. Ltd., started constructing in 2007 and was known as a knockoff of Paris with a scaled-replica of the Eiffel Tower, standing 108 metres, and Parisian houses. Although designed to accommodate at least ten thousand people, Tianducheng remains sparsely populated and is now considered as a “ghost town”, according to local media. (Photo by Aly Song/Reuters)

The 8th annual Miss International Queen beauty pageant was held in Pattaya in Thailand. The twenty-one contestants from fifteen countries were all born male, so the Miss International Queen 2012 pageant is not an average beauty pageant.

Photo: Panvilas Mongkol, a contestant from Thailand, waits for the start of the final night of Miss International Queen 2012 transgender/transsexual beauty pageant in Pattaya November 2, 2012. Some 21 contestants from 15 countries, all of them born male, compete in the week-long event for the crown of Miss International Queen 2012. (Photo by Damir Sagolj/Reuters)

Javanese people pray before rituals night carnival “1st Suro” (Javanese calender) during Islamic New Year celebrations at Kasunanan Palace on November 14, 2012 in Solo City, Central Java, Indonesia. Javanese will celebrate the national holiday with ceremonies and rituals marking the 1434th Islamic New Year's Eve or “1st Suro”. The parade started from Keraton Kasunanan and is headed by a group of albino buffaloes, known as Kebo Bule. Local people believe that the parade of Heirlooms and Kebo Bule will bring them a better life. (Photo by Ulet Ifansasti)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

A woman walks behind the installation “Wandering boy is forever attractive” (1985) by Tetsumi Kudo during the press preview at the exhibition “Tetsumi Kudo – Retrospective” in the Fridericianum in Kassel, Germany, Friday, September 23, 2016. The exhibition offers an in-depth, comprehensive view of works by the Japanese artist Kudo. It starts on Sept. 25, 2016 and lasts until Jan. 1, 2017. (Photo by Jens Meyer/AP Photo)

Kurdish pesh merga troops fire at Islamic State positions as they move toward the Iraqi town of Badana Pichwk on Monday morning, October 17, 2016. Kurdish forces began Monday advancing on a string of villages east of Mosul, the start of a long-awaited campaign to reclaim Iraq's second-largest city from the Islamic State, which seized it more than two years ago, officials said. (Photo by Bryan Denton/The New York Times)