A blurred panaroma of Roemerberg historic center is reflected in a soap bubble in Frankfurt am Main, Germany, 09 July 2015. (Photo by Frank Rumpenhorst/EPA)

A teenage girl from the Santa Marta favela slum puts on a pair of high heels for a group debutante ball organized by the Pacifying Police Unit from her neighborhood in Rio de Janeiro, Brazil, Friday, August 29, 2014. The ball, which relied on volunteers who coiffed and made up the girls and a formal wear shop that loaned the dresses, helped build goodwill between pacified favelas' residents and the officers who patrol them. (Photo by Silvia Izquierdo/AP Photo via The Palm Beach Post)

A female soccer player controls a ball during a training session at the Golab Trust Sport Complex in Kabul March 10, 2014. Despite decades of conflict in Afghanistan, and several recent militant attacks, the country's capital Kabul is home to a vibrant youth scene of musicians, artists, athletes and activists. Shopping malls and cafes stand in the city, which is nonetheless beset by infrastructure problems and instability. (Photo by Morteza Nikoubazl/Reuters)

A man drinks a Frucola as a policeman chases demonstrators during a protest against Chile's government in Santiago, Chile on December 4, 2019. (Photo by Goran Tomasevic/Reuters)

People in Kathmandu joke that the face mask has now become part of the national dress – an indispensable accessory in an effort to protect themselves from the dust. Nepal has the worst air quality in the world, according to the Environmental Performance Index. (Photo by Pete Pattisson/The Guardian)

An eight-year-old St Bernard with the longest canine tongue in the world, measuring 18.58cm (7.31in) in length, as recorded by the Guinness World Records: Amazing Animals, in South Dakota, USA. (Photo by Kevin Scott Ramos/GWR/PA Wire)

Princess Charlene poses after the arrival of the Riviera Water Bike Challenge in support of the Princess Charlene of Monaco Foundation, in Nice, France, June 4, 2017. (Photo by Eric Gaillard/Reuters)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)