Peter Carberry riding Gabbys Cross falls off during the Randox Grand National Chase during day three of the Randox Grand National Festival at Aintree Racecourse on April 15, 2023 in Liverpool, England. (Photo by Michael Steele/Getty Images)

Cybermen patrol the National Museum of Scotland before the opening of the Doctor Who Worlds of Wonder exhibition in Edinburgh, Scotland on Wednesday, December 7, 2022. (Photo by Murdo MacLeod/The Guardian)

Riders perform during a freestyle motocross show at the EICMA exhibition motorcycle fair in Rho, outskirt of Milan, Italy, Thursday, November 7, 2024. (Photo by Luca Bruno/AP Photo)

Double tornadoes, lightning storms and rotating supercells – this is what it's like to chase storms for a year. These dramatic images show apocalyptic weather throughout 2014 from a lightning storm to a pair of rainbows. Roger Hill, 57, has been chasing storms in the United States for thirty years and runs a tour operation with his wife Caryn. Here: a hailstorm rolls over fields, on July 22, 2014, in South Dakota. (Photo by Roger Hill/Barcroft Media)

Passengers brave the strong winds as they wait for a bus, in Hong Kong, Monday, September 15, 2014. The Hong Kong Observatory issued the number 8 southeast storm signal, as Typhoon Kalmaegi edges closer to Hong Kong. (Photo by Kin Cheung/AP Photo)

A Perseid meteor streaks across the sky above Inspiration Point early on August 12, 2016 in Bryce Canyon National Park, Utah. The annual display, known as the Perseid shower because the meteors appear to radiate from the constellation Perseus in the northeastern sky, is a result of Earth's orbit passing through debris from the comet Swift-Tuttle. (Photo by Ethan Miller/Getty Images)

An injured person is seen after an earthquake hit Port-au-Prince, Haiti, Tuesday, January 12, 2010. A 7.0-magnitude earthquake, the largest ever recorded in the area, rocked Haiti on Tuesday. (Photo by Jorge Cruz/AP Photo)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)