Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

Anne London found her focus at the age of 19 while working for Tippi Hedren, founder of Shambala , a refuge for big cats, elephants and other species located in California. There, as she walked among the animals, she realized that the commercial art field was not for her, and she dedicated her life to bringing about awareness of the plight of endangered wildlife across the globe, and raising money for conservation efforts.

Jack Tia Kee Woon is an artist from Singapore. He is famous through his technique of watercolor painting in acrylic environment. His painting style is very light and radiant, where the watercolors add the transparence to the picture, while acrylic make the colors look very deep. One can see the influence of Chinese and Japanese culture on his art.

French artist Julien Breton aka Kaalam started calligraphy in 2001 by copying Arabic calligraphers. Self-taught, he began to incorporate long exposure photography to create incredible light paintings around the world. All of the images in this gallery were created in-camera, meaning there is no Photoshop trickery or post-production manipulation involved in creating these works of art.

A man stands in front of a poster created by artist Tomoko Konoike, one of 20 posters officially selected for the Tokyo Olympics and Paralympics, at the Museum of Contemporary Art Tokyo Monday, January 6, 2020. The official posters are out for this year's Tokyo Olympics and Paralympics. The 20 posters have been created by 19 artists in fields ranging from painting, graphic design, and photography. Calligraphy and Japanese manga are also represented. (Photo by Jae C. Hong/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

North Korean leader Kim Jong Un (3rd R) and wife Ri Sol Ju (4th L) enjoy an art performance given by the Chongbong Band to mark the 70th anniversary of the founding of the Workers' Party of Korea (WPK) in this undated photo released by North Korea's Korean Central News Agency (KCNA) in Pyongyang on October 19, 2015. (Photo by Reuters/KCNA)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)