On October 31st, 2025, when the weather was in full autumn, citizens visiting the Taehwagang National Garden Chrysanthemum Garden in Nam-gu, Ulsan, are making memories among the chrysanthemums turning yellow. (Photo by Kim Dong-hwan)

Sarunphat Pannum, 30, poses for a picture as she celebrates Halloween in Bangkok, Thailand on October 31, 2024. (Photo by Chalinee Thirasupa/Reuters)

The work “Naught: Bondi” by Milarky is seen pre-dawn at Sculpture by The Sea on October 18, 2024 in Sydney, Australia. A striking inflatable sculpture resembling a melanoma is set to be showcased at Sculpture by the Sea 2024, running from October 18 to November 4 along the Bondi to Tamarama coastal walk. (Photo by Brook Mitchell/Getty Images)

In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

Fans gather to watch a FIFA World Cup Russia 2018 football match between Brazil and Costa Rica on a giant screen at Alzirao neighborhood in Rio de Janeiro, Brazil on June 22, 2018. (Photo by Carl De Souza/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)