Participants wearing costumes take part in the West Indian Day Parade in the Brooklyn borough of New York September 1, 2014. The parade, which draws a crowd of a million plus, celebrates Caribbean culture. (Photo by Eric Thayer/Reuters)

A woman looks out of a dusty window after boarding a bus to be transported to see the casket of Nelson Mandela at the Union Buildings in Pretoria, South Africa, Wednesday December 11, 2013. On Thursday, December 5, 2013, Mandela died at the age of 95. (Photo by Markus Schreiber/AP Photo)

Manuela Vargas at a dress rehearsal for “The Tigress of the Flamenco” given by her company at the Vaudeville Theatre, London. (Photo by Dennis Oulds/Central Press/Getty Images). 4th November 1964

A runner dressed as Spiderman poses before the annual “Sao Silvestre Run”, an international race through the streets of Sao Paulo, Brazil on December 31, 2021. (Photo by Carla Carniel/Reuters)

A woman takes a photo of a mural by Berlin-based street artist Eme Freethinker featuring the likeness of US actor Will Smith (R) slapping US comedian Chris Rock during the Oscars ceremony, in Berlin on March 30, 2022. (Photo by John MacDougall/AFP Photo)

A woman enjoys the sun at Plaka beach on the Aegean island of Naxos, Greece, Friday, May 14, 2021. Greece launched its tourism season Friday amid a competitive scramble across the Mediterranean to lure vacationers emerging from lockdowns. (Photo by Thanassis Stavrakis/AP Photo)

English model Leomie Anderson attends a private view of “The Mandalorian And The Child”, a special portrait being unveiled in collaboration with the National Portrait Gallery, on October 29, 2020 in London, England. The portrait will be available to the public to view for free on the 30th and 31st of October, and marks the arrival of the highly anticipated second season of “The Mandalorian” on Disney+. (Photo by David M. Benett/Dave Benett/Getty Images for Disney+)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)