A ballet dancer attends a photo shooting as activists from the environmentalist group Greenpeace unfurl a giant banner on the Eiffel Tower which reads “Liberty, Equality, Fraternity” in a call on French citizens to vote against the National Front (FN) presidential candidate Marine Le Pen, in Paris, France May 5, 2017. (Photo by Gonzalo Fuentes/Reuters)

Dancers from The Royal Ballet perform beside the Regent's Canal in London on August 30, 2020, one of three performances they put on daily on weekends to experience performing in front of a live socially-distanced audience. (Photo by Isabel Infantes/AFP Photo)

Dancer of the Berlin State Ballet (Staatsballett Berlin) wear face masks as they perform during the dress rehearsal of Don Quixote in a production choreographed by Victor Ullate, amid the coronavirus disease (COVID-19) pandemic at Deutsche Oper opera house in Berlin, Germany, December 1, 2021. (Photo by Fabrizio Bensch/Reuters)

The Fighting Cholitas are a group of female wrestlers who perform in El Alto, Bolivia. Tickets to the exhibitions cost $1. Like the general population of El Alto, which consists almost entirely of Aymara and Quechua residents, the Cholitas are indigenous. They wear braided hair, bowler hats and multilayered skirts in the ring. Here: Barbara Quisbert and Susana La Bonita, cholitas wrestlers, fight during their return to the ring after the coronavirus disease (COVID-19) restrictions, in El Alto outskirts of La Paz, November 29, 2020. (Photo by David Mercado/Reuters)

Отава Ё – Яблочко (Otava Yo – Yablochko; Russian: Яблочко, “Little Apple”). Yablochko is a Russian folk song of chastushka style and dance, traditionally presented as sailors' dance. The choreographed version of the dance first appeared in the 1926 Reinhold Glière ballet The Red Poppy and from there is known in the West as the Russian Sailors Dance.

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

Young girls take ballet lessons at the New Dreams dance studio in the Luz neighborhood known to locals as Cracolandia (Crackland) in Sao Paulo, Brazil, August 14, 2015. For the young girls learning to jump and plie, the dance studio provides a way forward and out of the difficult environment they have grown up in. Brazil is one of the world's highest consuming countries of crack cocaine, and Cracolandia, or “Crack Land”, located in the outskirts of Sao Paulo, is one of the most intense and brutal hubs. (Photo by Nacho Doce/Reuters)

A student of the Krasnoyarsk choreographic college prepares backstage before a dress rehearsal of a performance by graduates of the college at the State Theatre of Opera and Ballet in Russia's Siberian city of Krasnoyarsk, Russia, May 12, 2015. The annual performance showcases the work of students from across Russia who study or have studied at the well-known school. (Photo by Ilya Naymushin/Reuters)