Bloodthirsty by Thomas P. Peschak, Germany/South Africa — winner, Behaviour: birds. When rations run short on Wolf Island, in the remote northern Galápagos, the sharp-beaked ground finches become vampires. Their sitting targets are Nazca boobies and other large birds. The finches rely on a scant diet of seeds and insects, which regularly dries up, so they drink blood to survive. ‘I’ve seen more than half a dozen finches drinking from a single Nazca booby,’ says Tom. Rather than leave their nests the boobies tolerate the vampires, and the blood loss doesn’t seem to cause permanent harm. (Photo by Thomas P. Peschak/2018 Wildlife Photographer of the Year)

Janelle Monae (L) and Taraji P. Henson pose with the SAG Award for Outstanding Cast in a Motion Picture award for “Hidden Figures”, during the 23rd annual Screen Actors Guild Awards ceremony at the Shrine Exposition Center in Los Angeles, California, USA, 29 January 2017. (Photo by Paul Buck/EPA)

Komodo Judo by Andrey Gudkov. Finalist, Amphibians & Reptiles. Two large male Komodo dragons hissing angrily at each other in Indonesia’s Komodo national park. Komodo dragons can grow up to 8ft. (Photo by Andrey Gudkov/Wildlife Photographer of the Year 2015)

Shooting star by Tony Wu, US/Japan. Winner, underwater. The electrifying reproductive dance of a giant sea star. As the surrounding water filled with sperm and eggs from spawning sea stars, Wu faced several challenges. Stuck in a small, enclosed bay with only a macro lens for photographing small subjects, he backed up to squeeze the undulating sea star into his field of view. The dancing posture of spawning sea stars rising and swaying may help release eggs and sperm, or may help sweep the eggs and sperm into the currents where they fertilise together in the water. Kinko Bay, Japan. (Photo by Tony Wu/Wildlife Photographer of the Year)

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Clark was the guy who was photographed dropping into stupidly heavy Waimea shorebreak a few years back. Always admired him for that. I've swum in that shoredump and it's fu*cking heavy!
I also contracted some crazy tropical disease digging out Waimea river, but that's another story altogether!

The amazing art of dancing is captured by the lens of Bertil Nilsson, who draws inspiration from movement and human body, creating a final spectacular result. The London-based photographer and filmmaker has worked closely with dancers and circus artists for five years throughout Europe and North bringing out an inspiring project, all gathered in his book Undisclosed: Images of the Contemporary Circus Artist.