Belen Rodriguez and Elisabetta Canalis attends the 61th Sanremo Song Festival at the Ariston Theatre on February 15, 2011 in San Remo, Italy.

“Haile Selassie I (23 July 1892 – 27 August 1975), born Tafari Makonnen, was Ethiopia's regent from 1916 to 1930 and Emperor of Ethiopia from 1930 to 1974. The heir to a dynasty that traced its origins to the 13th century, and from there by tradition back to King Solomon and Queen Makeda, Empress of Axum, known in the Abrahamic tradition as the Queen of Sheba. Haile Selassie is a defining figure in both Ethiopian and African history.

Haile Selassie is revered as the returned Messiah of the Bible, God incarnate, among the Rastafari movement, the number of followers of which is estimated between 200,000 and 800,000. Begun in Jamaica in the 1930s, the Rastafari movement perceives Haile Selassie as a messianic figure who will lead a future golden age of eternal peace, righteousness, and prosperity. He himself remained an Ethiopian Orthodox Christian throughout his life”. – Wikipedia

Photo: Negusa Negasti, Emperor of Ethiopia Haile Selassie I, known as “Lord of Lords”, “The Conquering Lion of the tribe of Judah”, “Light of the world”, “Elect of God”, in full ceremonial regalia following his coronation. (Photo by Hulton Archive/Getty Images)

In this November 18, 2014 photo, Murshida, 12, sits on the lap of her mother Marjina as the train leaves for their village in West Bengal, at a railway station in New Delhi, India. Six months ago, Marjina stepped off a train in New Delhi with her two children, hoping to find a better life after her husband abandoned them without so much as a goodbye. The family spent their days at a landfill picking through other people’s garbage to find salvageable bits to resell or recycle. After six months of poverty, illness and shame, they returned to that train station in New Delhi, headed back to an uncertain future to their hometown in West Bengal. (Photo by Altaf Qadri/AP Photo)

Rapper Future attends his “Future City” Birthday Party at Magic City on November 20, 2018 in Atlanta, Georgia. (Photo by Prince Williams/Wireimage)

A picture taken with a drone shows the giant landart painting entitled “Message From Future” by French artist Saype in the park “La Perle du Lac” in Geneva, Switzerland, 16 September 2018 (issued 17 September). The artwork covering 5,000 square meters was produced with biodegradable paints made from natural pigments. The artist called the little girl “Future” as a symbol of the generations from the future and the small origami boats that she drops into Lake Geneva aims to represent a message of hope sent to the world. (Photo by Valentin Flauraud/EPA/EFE)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

“On March 8th activists celebrate International Women’s Day, which dates back to the early 20th century and has been observed by the United Nations since 1975. In the run-up to the event, Reuters photographers in countries around the globe took a series of portraits of women and their daughters. They asked each mother what her profession was, at what age she had finished education, and what she wanted her daughter to become when she grew up. They also asked each daughter at what age she would finish education and what she wanted to do in the future. The series of images offers an insight into the lives of women and girls around the world”. – Reuters. (Photo by Feisal Omar/Reuters)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)